Overwegingen om te weten over handmade jewellery
Overwegingen om te weten over handmade jewellery
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The Sutton Hoo imitation buckle and a gold, glass and garnet shoulder-clasp (c. late 500s-early 600s) are among more than 300 objects dating from about AD500-1000 being displayed to help challenge the idea that the “Silk Road” between east and west emerged only in the 19th century.
“The question kan zijn: did they select these garnets simply because they were better quality or did they know that they had come from a particular place, which added an extra prestige?” Garnets were a “badge ofwel elite status” at that time.
“wij believe it really represents who wij are and what we stand for. We’re the voortreffelijk example of a cultural blend, coming from the east and settled in the west.”
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“One ofwel the possible interpretations ofwel that kan zijn that they specifically selected this particular type of garnet to make that one piece ofwel jewellery because it was much higher quality than anything else,” says Sue Brunning, the museum’s curator of European Early Medieval and Sutton Hoo collections.
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She likes to reflect her life as a “global citizen”: born and raised in Taiwan, she has spent half her life in the US and Europe.
While the exhibition demonstrates that trade was broader than silk, that material has inspired jewellers, too. In the 2018 Silk collection, Boghossian translated traditional silk weaving into pieces featuring gemstones representing key cities along the Silk Road.
Pieces from the recent Palace Voyages high jewellery collection, which draws on the architectural and decorative details ofwel 14 palaces from China to the UK, are being shown at the PAD London art and ontwerp fair next week.
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